This is just a quick comparison of three codecs you can render out from in Da Vinci Resolve. This video clip was shot in a Black
Best codec you should use for uncompressed lossless video! We're using ProRes and DNxHD in Adobe Premiere Pro for film ▻
The best and worse uses for Cineform The Cineform codec is a robust and stunning codec for many things, but proxies aren't one of
GoPro CineForm intermediate codec support - Adobe Media Encoder settings for using the GoPro CineForm codec output. More
Today we check out the epic'ness that is go pro cineform Twitter: twitter.com/cpumodder Steam: steamcommunity.com/groups/CPUM
A side by side test of the internal codecs on the C100, C300 and Ninja Blade to see which does better.
Today we check out if their is really a difference between ProRes HQ and DNxHQX in a H.264 YouTube Environment! -~-~~-~~~-~~-
Transcoding is a necessity in todays moderns tapeless workflow. But what formats do you need to transcode to, and what are the
The endless hunt for the best lossless codec continues. RED Raw H264 Prores 422 DNxHR 12bit DNxHR 8bit Photo-JPEG GoPro
READ THE DESCRIPTION \/ Video editing has been rather slow for me, so I am going to show you guys my workaround to getting
Wondered WHY cineform seems broken in Premiere 2017... well its because Adobe cant be bothered to pu the correct cineform
A comparison of lossless codecs. It is recommended to view this video in 720p60 or 1080p60. Software used: D3DGear Dxtory
A quick comparison video showing the difference between the internal AVCHD codec of the Canon C100 and the Atomos Ninja 2.
this is a sequence we shoot on the Iphone 4S using Filmic Pro at 50 MBps. Testing the need to transcode or not here is a side-by-
Сравнение кодека prores (00040) и cineform (00040_GP)
shot with nikon d7200 and black magic pocket.
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